The preliminary results of the “Chi Shang Jin” Cup Chinese Hanfu Design Competition are released (with shortlist)
On August 3, the preliminary evaluation of the Prosperous China – “Chi Shang Jin” Cup Chinese Hanfu Design Competition was successfully held in Beijing. After strict consideration and careful selection by the jury, 25 finalists were finally selected.
This time the preliminary judging panel has a strong lineup. Zhang Zhaoda, a famous Chinese artist and winner of the first and ninth “Golden Summit Awards” of China Fashion Design, serves as the chief judge. Zhang Zhaoda, winner of the seventh “Golden Summit Award” of China Fashion Design, president of the Beijing Fashion Designers Association, and Fang Fang Fang Ying, artistic director of Ying Fashion Design (Beijing) Co., Ltd. and chief designer of the 29th Olympic Games Opening Ceremony Costume Styling Studio, winner of the 8th “Golden Summit Award” for China Fashion Design, vice chairman of the China Fashion Designers Association, Guangdong Ji Wenbo, Chairman of the Fashion Designers Association and Chairman of the Xiamen International Fashion Federation, Liu Wei, winner of the 17th “Golden Summit Award” for Chinese Fashion Design, China Textile Intangible Cultural Heritage Promotion Ambassador, and founder of the ROSEW customized brand, China Zhang Yichao, winner of the 23rd “Golden Summit Award” for Fashion Design, founder of the Hejizhuhe Designer Integrated Platform, permanent professor and doctoral supervisor at the Academy of Fine Arts, Tsinghua University, deputy director and secretary of the Fashion Design Art Committee of the Chinese Artists Association Chang Xiao Wenling, member of the Textile Undergraduate Teaching Steering Committee of the Ministry of Education, and Wang Yongjin, dean of the School of Fashion Art and Engineering of Beijing Institute of Fashion Technology, serve as judges to look for masterpieces of modern Hanfu design that meet the requirements of the competition and discover new talents for the industryTalent.
Xie Qing, executive vice president of ChinaTextile Industry Enterprise Management Association and vice president of Circulation Branch of China Textile Federation, deputy director of China Textile Federation News Center and editor of Textile and Apparel Weekly “Xu Feng, president of the magazine, Liu Ping, editor-in-chief of the magazine and best commentator of China International Fashion Week, and other representatives of the competition organizers attended the event. The preliminary evaluation meeting was chaired by Yu Minjing, executive vice president of the China Textile Photography Association and vice president of the Circulation Branch of the China Textile and Apparel Industry Federation.
This competition was launched on April 22 and ended on July 20. A total of 757 submissions were received from more than 100 clothing companies, design studios, and professional design colleges across the country, covering Beijing, Shanghai, Tianjin, as well as 29 provinces including Guangdong, Guangxi, Fujian, Hainan, Yunnan, Guizhou, Sichuan, Jiangxi, the three northeastern provinces, and Inner Mongolia. At the same time, we also received overseas submissions from international students in the UK and Italy.
This competition has attracted widespread attention from major universities and designers since the call for submissions began. With the resource advantages of the China Textile Federation platform, it has set off a wave of Hanfu in clothing colleges across the country. It has also attracted widespread attention on major college student fashion week platforms, The design agency and e-commerce platform have attracted widespread attention. It has not only become the most searched event IP in the field of clothing design of the year, but also further promoted the Hanfu culture out of the circle and activated the potential space of the Hanfu market.
The preliminary evaluation of the competition adopts the form of “cloud selection + offline preliminary evaluation meeting”. On August 2, the 7-member jury conducted a cloud review and selected 109 manuscripts that met the competition requirements and had good quality; on August 3, the offline preliminary review meeting Focusing on the event theme, design style, cultural connotation, market value and other factors, combined with the final presentation effect and industry guidance effect, after repeated on-site deliberations, 25 outstanding works were selected to enter the garment production stage; in addition, from August 4th to 10th, , the 25 shortlisted works will also undergo an online voting session to compete for the “Internet Popularity Award”.
The chief judge, Zhang Zhaoda, said that the overall level of the entries this time was relatively high, and he was deeply impressed by many of the entries. The shortlisted works have one thing in common, their designs are contemporary and fashionable. For example, many players adopted short styles, or reconstructed the graphics according to modern aesthetic standards, and the artistic details were just right.
The competition focuses on the fashionable innovation of Hanfu. Therefore, Zhang Zhaoda suggested to the shortlisted contestants that when making ready-made clothes, they might as well break away from the routine and integrate Hanfu with the mainstream of international fashion, so as to transform Hanfu into something more in line with modern lifestyles and accessible to more people. Outfits that can be admired and shared. For example, you can boldly use modern fabrics such as knitting, and styling techniques such as draped structures to break people’s logical understanding of traditional Hanfu.
Xiao Wenling said that the entries this time are relatively mature, and most of them can be combined with today’s lifestyle and production methods. In recent years, young people have become more in-depth with ethnic costume culture, and their entries can also show their very diverse and independent thinking. For example, unlike in the past where symbolic elements were added to popular clothing to show a lack of confidence. The shortlisted works this time show independent control over national costume culture, which is a good trend. Therefore, this competition itself is a breakthrough for traditional costume culture.
He suggested that the finalists should follow the original intention of the design and achieve high standards. For example, if you choose materials carefully, if you can innovate the materials based on the theme of the work, you should be able to achieve good presentation in the visualization process. In terms of style, we should start from the overall shape and combine the artistry and modernity of traditional culture.��Integrating innovative technologies and grasping the scale ensures the integrity of the works presented on the stage.
Liu Wei said that she has received so many high-quality manuscripts in such a short period of time, and among these works, we can also see many eye-catching ideas. The players also made bold innovations while retaining the original Hanfu, which I think is very good.
In recent years, the Hanfu craze has flourished, and many Hanfu brands are doing quite well in online sales. She believes that the competition sends a very beneficial signal to the core designers of the Hanfu industry, using professional competitions to guide innovation and explore the potential of Hanfu culture.
“I hope that the shortlisted contestants will first respect their original design drawings and not change too much during the production process. Secondly, they should maintain some regulations of traditional clothing and boldly innovate while retaining them, such as using Environmental protectionmaterials, new processes and new technologies, showing elements that are in line with the aesthetics of the times. We look forward to the contestants achieving better results.”
Fang Ying said that the quality of the entries this time was very high, bringing together a large number of outstanding young designers’ works, from which many traditional cultural symbols, patterns, etc. can be seen. In recent years, the craze for Hanfu has continued to heat up, especially driving more young people to pay attention to the culture of the Chinese nation, which is a very good phenomenon. Most of the contestants in this competition are cutting-edge designers. They all have professional knowledge, and the different focuses of each contestant will inject more fresh vitality into Hanfu design. “We hope that the shortlisted contestants can strictly follow the selected design drawings in the production of ready-made garments, and at the same time consider the integrity of the presentation on the stage.”
Yu Minjing said that from the entries this time, we can see that the contestants have done a better job in using Chinese cultural elements, understanding of Hanfu culture, and considering the wearability of improved and innovative Hanfu. The design avoided dramatic expressions and achieved the results that the organizers and industry experts expected.
One of the initiators of this competition, Chengdu’s “Chishangjin” Hanfu Cultural Industry District, takes “cultural power” and “clothing power” as its mission, and is committed to giving full play to the circulation effect of the market and promoting the inheritance and innovation of the Chinese nation’s clothing culture. .
Yu Minjing said that using the competition as a carrier to implement Hanfu culture through clothing has formed a strong push for the entire industry. “At present, we should be able to achieve some results, because some works can be implemented and sold. In the production and manufacturing process, for example, Chishang Jin Street can guide designers’ works to the market, and can even cooperate with merchants and brands in the neighborhood Join forces to directly commercialize the award-winning works.” Finally, she hopes that the contestants can grasp the details in the production process, focus on artistry and practicality, and have a perfect presentation on the final stage.
In the end, after the preliminary selection by the jury of the Prosperous China – “Chishangjin” Cup Chinese Hanfu Design Competition, the list of 25 shortlisted works is as follows. At the same time, the voting pass for the “Internet Popularity Award” was officially opened.
The competition is guided by the China Textile and Apparel Industry Federation, China Textile Industry Enterprise Management Association, China Textile and Apparel Industry Federation Circulation Branch, China Fashion Designers Association, China Textile and Apparel Education Society, Chengdu Jinniu District People’s Government, Chengdu Jiarun Real Estate Sponsored by the Group, organized by “Textile and Apparel Weekly” magazine, Chengdu Dacheng Market Management Co., Ltd., Chengdu Chishangjin Business Management Co., Ltd., China Textile Photography Association, and supported by the Sichuan Garment (Apparel) Industry Association.
When I was a young man in bright clothes and angry horses, I lived up to my youth and knew it. The finals of this competition will be held grandly in Chengdu on September 26. China is prosperous at this time.
AAA
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