Xu Yingxin: The cultural and humanistic heritage of Jingchu makes Wuhan Fashion Week continue to exude fashion charm
On the evening of December 6, the closing ceremony of Wuhan Fashion Week 2021 came to a successful conclusion at the Red T Creative Street in Jianghan District. The national fashion Hanfu shined on the show T stage, capturing the hearts of the audience behind the stage and using fashion language to Convey Wuhan’s confidence to the world. Awards including the Top Ten Models of Wuhan Fashion Week 2021, Han·Chao Emerging Design Award, Han·Chao Fashion Promotion Award and other awards were announced one by one at the awards ceremony.
2021 Wuhan Fashion Week is hosted by the Wuhan Municipal People’s Government, hosted by the Wuhan Development and Reform Commission and the Jianghan District People’s Government, and operated and managed by Wuhan Urban Investment Group.
Including internationally renowned designer Lawrence Xu and double “Golden Summit Award” designer Zhang Zhaoda, the four-day fashion week invited 13 designers and 10 ready-to-wear brands, and 23 fashion shows conveyed the same Message: “Let the world see the beauty of Wuhan.”
In the chime music, the closing show Zhang Zhaoda used “Ode to the Han and Tang Dynasties” as the theme, and customized the first new Hanfu to incorporate elements of Chu and Han costumes and the national charm with Hubei characteristics, recreating the glory of the Han and Tang Dynasties.
The ZIFEI WANG advanced customization brand incorporates ink, coarse cloth, Song brocade, Suzhou embroidery and other oriental elements and intangible cultural heritage craftsmanship into silhouettes. Chinese patterns such as flowers, mythical birds, fish patterns, and pavilions have jumped onto the fabric, allowing young people to People feel the relaxed and more interesting Chinese style.
The surging Hanfu trend during Fashion Week extends from the stage to outside the show. Exquisite silk scarves, shawls, decorative paintings, silk dresses that combine Chinese and Western styles, and winter rhyme silk The exhibition in the garden allows citizens to feel the timeless charm of silk that has been deposited in the long history of history. At the intangible cultural heritage show, the embroidered beauty and design brand Fang Yiyi cheongsam brought by the studio of the intangible cultural heritage Han embroidery inheritor of Wuhan Business University was unveiled, leading the public to travel through time and space and encounter the Hankou of a hundred years ago.
Xu Yingxin, vice president of the China Textile Industry Federation and president of the Textile Industry Branch of the China Council for the Promotion of International Trade, said that Wuhan is the earliest city in China to establish a modern textile and garment industry. First, the intertwining of culture and fashion genes it carries not only laid a foundation for Wuhan Fashion Week, but also enabled it to demonstrate cultural confidence and fashion confidence from the beginning. He said that from Han embroidery, Han style brands to Han Chao, the humanistic heritage of Jingchu culture allows Wuhan Fashion Week to continue to exude fashion strength, fashion charm and fashion influence.
Fashion Week is about to start the next decade. He suggested that cultural creativity should be used to empower industrial innovation, focus on the cultural heritage of Wuhan city, and promote the deep integration of the industrial chain and innovation chain to promote the high level of Wuhan’s fashion industryQualityDevelopment.
This fashion week also held fashion summit forums, static exhibitions of clothing and apparel, tenth anniversary exhibitions, buyer sharing sessions and other activities, creating a colorful fashion cultural feast to help the development of the fashion industry.
“Exclusive interview with Zhang Zhaoda”
Our Hanfu is as fashionable as New York and Paris
Zhang Zhaoda, a double “Golden Summit Award” designer and honorary chairman of the Beijing Fashion Designers Association, became famous in New York in the 1980s. In the 1990s, after returning to China, he accidentally visited the clothing collections of various ethnic groups in China in Yunnan. Originally he only wanted to stay for 2 years. For an hour, he ended up staying for several days. The Eastern soul surging in his blood aroused his pursuit. In China in the 1990s, most of the fashionable clothing trends came from the West, but in Zhang Zhaoda’s eyes, the totems and cultures of ethnic minorities were as good as others, and he was determined to make this combination of wisdom and beauty known to more people.
Since 1998, Zhang Zhaoda has been creating creations that integrate oriental style and modern clothing, hoping to let more people share the beauty of China that touches them. In this fashion week closing show, he used his own design language and deep understanding of Han and Tang costume elements to convey the different visual experience of Han and Tang costumes.
How to use the charm of Han and Tang Dynasty costumes to express the brilliant charm in modern clothing, Zhang Zhaoda said: “It is difficult. It is definitely not as simple as superimposing high-end dress fabrics and patterns. The entire design lasted three months and was revised three times. , I even started from scratch the first two times.”
Zhang Zhaoda used a fan to blow the wide sleeves of Hanfu, photographed the clothes swaying in the wind, selected the most beautiful state, and used mechanical methods to sew elastic threads into the fabric. The elastic threads of different densities were thus Produce different pleats and retain the sculptural three-dimensional feel of the clothes. In terms of craftsmanship, Zhang Zhaoda uses high-end fashion applique, embroidery, and beading techniques to make the ancient Chinese totem patterns gorgeous and dazzling.
In Zhang Zhaoda’s eyes, the Chinese nation’s history, culture, and clothing civilization are very splendid. The top priority for contemporary designers is to extract the best of traditional culture. “We must deconstruct and reorganize traditional clothing culture and use modern technology. , including the advancement of equipment, fabrics, etc., giving Hanfu new life.” Let the world not only respect the history of our civilization, but also share the achievements of our civilization. “Our Hanfu is as fashionable as Paris and London.”
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